03.09.2019-540 views -Louis Kahn: the Salk
Louis Kahn was a wizard beyond his time. His idea of silence and light separates his buildings from other people in history. The ideas spawned by his work challenged many ideas before and beyond his time. He used plainness, light and placement to shape the design of his buildings. One more concept that was greatly practiced simply by Kahn, was the use of served and servant spaces. The servant areas usually located the lighting, plumbing, and any other enterprise that produced the building efficient. On the other hand, the served spots were the rooms such as the laboratories and study bedrooms which are offered functionality throughout the servant spots (Manrique, 11/08/04). This concept was practiced through out most of Kahn's career, nevertheless is most distinctive in his ingenious designs of the Salk Commence and Kimbell Art Art gallery. The Salk Institute positioned in La Jolla California features the most unconventional nature. The building is set up into two large towers separated by a huge concrete courtyard. The building is usually arranged in this way because 1 side of computer faces the ocean and Salk desired every science tecnistions to have watch of the ocean (Silence and Light, 1997). The floors with the towers alternated between flooring surfaces used for laboratory work and floors used for studying. This kind of separation offered a border between labor and careful consideration. The Vierendeels used to produce a column-free slanted plan created " full-height loft spaces for tube and ductwork" (Stoller, 6). These loft spaces were hidden behind large triangles on the ceiling and act as the stalwart to the labs and research below. Every room was arranged this way creating an overall plan of " servant spaces on top of spaces served" (Steele, 15). These stalwart spaces become " the arteries, blood vessels and anxious system supplying life towards the cerebral function of the labs and studios" (Stoller, 6). Another sort of a stalwart space with the way Kahn opened the camp of the podiums. The visibility of the bottom floors serves as an arcade to the...
Bibliography: Brawne, Michael. Kimbell Artwork Museum. London, uk: Phaidon S, 1992.
Louis Kahn [videorecording]#@@#@!!: stop and light as well as produced and directed by simply Michael Blackwood. New York, NEW YORK: Michael Blackwood Productions in association with SaarlГ¤ndischer Rundfunk, c1997
Steele, James. Salk Institute. London, uk: Phaidon G, 1993. 10-20.
Stoller, Ezra. The Salk Start. New York: Princeton Architectural L, 1999. 1-12.